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- <text id=94TT1164>
- <title>
- Aug. 29, 1994: Books:Hollywood Babble-On
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Aug. 29, 1994 Nuclear Terror for Sale
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 75
- Hollywood Babble-On
- </hdr>
- <body>
- <p> John Gregory Dunne uses up all the movie gossip he knows
- </p>
- <p>By John Skow
- </p>
- <p> The most perplexing beach read of the summer is a train wreck
- of a novel by John Gregory Dunne, a very good writer (True Confessions,
- Harp) whose fiction usually stays nicely on the rails. Trying
- to figure out what went wrong with Playland (Random House; 494
- pages; $25) should keep writers' workshops twittering until
- Norman Mailer publishes his next thousand pager.
- </p>
- <p> Hollywood in the '30s and '40s is the novel's principal setting,
- though the ramified and exceedingly tenuous plot spreads across
- the U.S. and into the '90s. Dunne invents a child star named
- Blue Tyler (born Melba Mae Toolate, or perhaps not, because
- her birth mother is supposed to have sold her as an infant to
- a Mrs. Toolate for the price of a bus ticket out of--maybe--Yuma, Arizona). Blue isn't cute like Shirley Temple (that
- "midget in drag," as one of Dunne's wise-guy industry types
- calls Blue's competition). Rather, she conveys adult sexuality
- to an unsettling degree, in part because a botched tonsillectomy
- (by the studio doctor who will one day perform her abortions)
- gives her Marlene Dietrich's voice.
- </p>
- <p> As a young teenager, Blue is Cosmopolitan Pictures' biggest
- draw. She yearns to play adult roles, bad girls, and off the
- set has an affair with a gangster named Jacob King, who is murdered
- in his Las Vegas casino. Then she disappears and doesn't surface
- until 40 years later, when she is discovered, a few dollars
- from dead broke, living in a run-down trailer park in Hamtramck,
- Michigan.
- </p>
- <p> There was a satisfying airport paperback, with pink cover and
- gold-embossed lettering for the title, to be written about Blue.
- Where is Judith Krantz, the reader muses, when we need her?
- And never mind that the Jacob King figure is an obvious sketch
- of the real-life mobster Bugsy Siegel and that since everyone
- knows that Siegel was murdered, there isn't a lot of suspense
- to be generated about whether King will live to collect Social
- Security. Blue is a good, tough, hard-edged character ("she
- only cries on cue," someone says of her), and a straight-ahead,
- page-turner approach might have worked.
- </p>
- <p> Instead Dunne chose to spiral around the Blue Tyler myth in
- great, windy loops of speculation, reminiscence, industry gossip
- and dear-reader throat clearing, delivered by a self-absorbed
- and only fitfully interesting narrator named Jack Broderick.
- He's a middle-aged screenwriter whose wife has just died, so
- he's at loose ends. There is almost no action or dialogue in
- present time. What the author offers is Broderick, onstage alone,
- scratching his head and relating what he has learned from a
- phone call or an old police report. Blue had a husband named
- Teddy who got stoned and fell out of the second deck at Tiger
- Stadium on their wedding afternoon. Somebody else fell or was
- pushed from a hotel window, landing on a mounted policeman,
- killing the policeman and his horse. Good stuff but old stuff,
- not dramatized but simply retold.
- </p>
- <p> Dunne and his wife, writer Joan Didion, have moved to Manhattan,
- but they lived in Southern California for years, wrote screenplays
- off and on and knew everyone in the movie business. The list
- of acknowledgments at the end of Playland names Otto Preminger,
- Natalie Wood, Billy Wilder and a cast of thousands. This explains
- part of the problem. What is supposed to be a novel is really
- the author's Hollywood valedictory, and he has included every
- good show-biz anecdote he ever heard. Unfortunately, the glut
- of marvelous gossip has stopped his story cold.
- </p>
- </body>
- </article>
- </text>
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